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        <title><![CDATA[Beyond EVE: Events]]></title>
        <link><![CDATA[https://beyond-eve.com/events/rss]]></link>
        <description><![CDATA[]]></description>
        <language>de-DE</language>
        <pubDate>Thu, 21 Oct 2021 21:04:15 +0200</pubDate>

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                <title><![CDATA[The 2021 Salant Lecture on Freedom of the Press: Maria Ressa, CEO of Rappler and 2021 Nobel Peace Prize Winner]]></title>
                <link>https://beyond-eve.com/en/events/the-2021-salant-lecture-on-freedom-of-the-press-maria-ressa-ceo-of-rappler-and-2021-nobel-peace-prize-winner</link>
                <description><![CDATA[<p>On Tuesday, November 16th at 6:00 pm ET in the John F. Kennedy Jr. Forum, this year’s Salant Lecture on Freedom of the Press will be delivered by&nbsp;<strong>Maria Ressa</strong>, 2021 Nobel Peace Prize winner, co-founder and CEO of Rappler.com, Fall 2021 Shorenstein Center Fellow, and Center for Public Leadership Hauser Leader. Shorenstein Center on Media, Politics and Public Policy Director&nbsp;<strong>Nancy Gibbs</strong>&nbsp;will moderate a conversation with Maria after her remarks.</p><p>A journalist in Asia for 35 years, Maria Ressa co-founded Rappler.com, the top digital-only news site that is leading the fight for press freedom in the Philippines. As Rappler’s CEO and president, Maria has endured constant political harassment and arrests by the Duterte government.</p><p>Maria was awarded the 2021 Nobel Peace Prize for her courageous fights to uphold freedom of expression. She was also Time Magazine’s 2018 Person of the Year, and has received numerous other awards and recognition for her journalism and fearlessness in the face of efforts to silence her.</p><p>The <a href="https://shorensteincenter.org/programs/prizes-lectures/salant-lecture/" rel="noopener noreferrer" target="_blank">Salant Lecture on Freedom of the Press</a> is delivered annually by a prominent journalist, scholar, or practitioner. Named for Mr. Richard Salant, a former president of CBS News, and a defender of the freedom of the press as well as a champion of high ethical and news standards for the press, the annual lecture is made possible through a 2007 fund established by Dr. Frank Stanton’s estate. Dr. Frank Stanton, also a former president of CBS News and staunch defender of First Amendment rights, set up the fund in honor of his longtime friend and colleague, Richard Salant, a graduate of Harvard College and Harvard Law School.</p>]]></description>
                <author><![CDATA[Shorenstein Center on Media, Politics and Public Policy]]></author>
                <pubDate>Thu, 21 Oct 2021 21:04:15 +0200</pubDate>
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                <title><![CDATA[“News you don’t believe”: User perspectives on f*ke news and misinformation]]></title>
                <link>https://beyond-eve.com/en/events/news-you-dont-believe-user-perspectives-on-fke-news-and-misinformation</link>
                <description><![CDATA[<p>Users’ perspectives on what f*ke news and misinformation is and isn’t, who drives it, and where people say they see it are important for understanding the scale and scope of public concern, and how this corresponds with research insights and aligns with proposed responses to these problems, as well as for the credibility and even effect of responses. In this presentation, Professor Rasmus Kleis Nielsen, Director of the Reuters Institute for the Study of Journalism, uses survey data and focus group material from Reuters Institute research to present an overview of user perspectives on “fake news” and misinformation more broadly, and identify some commonalities and differences between how, respectively, the public, researchers, and policymakers talk about these problems.</p><p><strong>Professor Rasmus Kleis Nielsen</strong>&nbsp;is Director of the Reuters Institute for the Study of Journalism and Professor of Political Communication at the University of Oxford. He was previously Director of Research at the Reuters Institute and Editor-in-Chief of the International Journal of Press/Politics. His work focuses on changes in the news media, on political communication, and the role of digital technologies in both. He has done extensive research on journalism, American politics, and various forms of activism, and a significant amount of comparative work in Western Europe and beyond.</p>]]></description>
                <author><![CDATA[Shorenstein Center on Media, Politics and Public Policy]]></author>
                <pubDate>Thu, 21 Oct 2021 21:01:17 +0200</pubDate>
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                <title><![CDATA[Normative Orders]]></title>
                <link>https://beyond-eve.com/en/organisations/goethe-universitat-frankfurt-am-main-normativeorders</link>
                <description><![CDATA[<p>Freedom and justice, tolerance and participation: the researchers in the&nbsp;Research Centre "Normative Orders" of Goethe University are reflecting on such rights and principles in social life. How are political, legal, religious or economic orders established, and how do they change? How do structures of power crystallize in such processes of social dynamics? How are power and life chances distributed, on national and transnational levels? The topic is of high social relevance: we need to reflect on a world the orders of which are defended with power and yet are still fragile. The research of the Centre focuses on current social conflicts about a fair order of society in times of globalization, as well as its long prehistory. It examines the normative ideas that play a role in such processes and conflicts, as well as how they can be criticized or justified. Above all, the fundamentals of politics and law are highlighted in the humanities and social sciences.</p><p>Such questions are complex, and it for this reason that the&nbsp;Research Centre "Normative Orders" of Goethe University in Frankfurt works on an interdisciplinary basis: from philosophy, history, political science and law to ethnology, economics, sociology and theology.</p>]]></description>
                <author><![CDATA[Normative Orders <office@normativeorders.net>]]></author>
                <pubDate>Thu, 15 Apr 2021 12:40:40 +0200</pubDate>
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                <title><![CDATA[SWAN Swiss Women's Audiovisual Network]]></title>
                <link>https://beyond-eve.com/en/organisations/swan-swiss-womens-audiovisual-network</link>
                <description><![CDATA[SWAN connects women and interested men of the audiovisual industry and cooperates with other networks and organizations. 
SWAN supports the role and the position of women in Swiss and in international cinema, television and other audiovisual media. 
SWAN aims to enable exchange – with an online platform (search and offer) as well as with live events and networking occasions. 
SWAN provides gender relevant information about the film industry on all kinds of levels, from Switzerland and internationally.]]></description>
                <author><![CDATA[SWAN Swiss Women's Audiovisual Network]]></author>
                <pubDate>Fri, 04 Dec 2020 15:26:58 +0100</pubDate>
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                <title><![CDATA[MaLisa Foundation]]></title>
                <link>https://beyond-eve.com/en/organisations/malisa-foundation</link>
                <description><![CDATA[The MaLisa Foundation was established in 2016 by Maria and Elisabeth Furtwängler. Its aim is to create a free, equal society. On an international level, it campaigns to end violence against women and girls. In Germany, it also focuses on promoting social diversity and overcoming restrictive role models.

The founders of the MaLisa Foundation have many years of international experience. Since 1998, Maria Furtwängler has served as a voluntary doctor with German Doctors and witnessed the everyday presence of violence against women in the slums of Nairobi, Calcutta, Gujarat and in the Philippines, where it has come to be seen as part of normality. During her travels through Cambodia and the Philippines, Elisabeth was also confronted by the impact and consequences of the sexual exploitation of young girls and women. In order to provide practical help, Maria and Elisabeth Furtwängler founded the MaLisa Home in 2011, a safe house for girls who had been victims of human trafficking and enforced prostitution in the Philippines.]]></description>
                <author><![CDATA[MaLisa Foundation]]></author>
                <pubDate>Fri, 04 Dec 2020 14:20:50 +0100</pubDate>
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                <title><![CDATA[The Leibniz Institute for Media Research │ Hans-Bredow-Institut (HBI)]]></title>
                <link>https://beyond-eve.com/en/organisations/the-leibniz-institute-for-media-research-hans-bredow-institut-hbi</link>
                <description><![CDATA[<p>The research perspective of the Leibniz Institute for Media Research | Hans Bredow Institute (HBI) focuses on <strong>media-based public communication</strong>, regardless of the individual technical platforms involved. The institute’s research focuses on how certain forms of media-based communication influence different aspects of our lives, such as politics, economy, culture, education, law, religion and family, and how they contribute to structural transformations. The fact that the research activities are problem-oriented also leads to a distinct interest in the “new” media – and it is the Institute’s aim to contribute to their understanding as well as to their future shape.</p><p>The subject area requires <strong>interdisciplinary research</strong>, which is why the professional backgrounds of the Institute’s researchers are adequately diverse.&nbsp;The organisational structure of the Institute is based on two main subject areas – the field of communication science and the field of law – where the latter is not only focused on legal matters as such, but also on research concerning regulatory structures. Further, international comparative research is of increasing importance for the Institute. Thus, the Institute is actively involved in several <strong>international research networks</strong>.</p><p> </p><p>The Institute is named after <a href="https://www.hans-bredow-institut.de/en/institute/organisation_financing_history/hans-bredow-biography" rel="noopener noreferrer" target="_blank">Hans Bredow</a>, who played an important role in the development of broadcasting technology. He served as the “Rundfunkstaatssekretär” [State Secretary of Broadcasting] in the Weimar Republic, but stepped down from his office on the day the National Socialists took power. Later, he contributed a lot to the development of a public broadcasting system in the young Federal Republic of Germany. At that time, it also became clear that the area of media development is so important that it should be covered by an independent research institution. In 1950, Universität Hamburg and the broadcasting corporation “Nordwestdeutscher Rundfunk” thus founded the Hans-Bredow-Institut as an independent institution focusing on this field of research. Since then, the Institute is a so-called “An-Institut” of Universität Hamburg: legally independent, but connected to Universität Hamburg in many ways.</p>]]></description>
                <author><![CDATA[The Leibniz Institute for Media Research │ Hans-Bredow-Institut (HBI) <info@hans-bredow-institut.de>]]></author>
                <pubDate>Wed, 02 Dec 2020 19:28:23 +0100</pubDate>
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                <title><![CDATA[Pro Quote Film e. V.]]></title>
                <link>https://beyond-eve.com/en/organisations/pro-quote-film-e-v</link>
                <description><![CDATA[Pro Quote Film ist die Stimme von Filmschaffenden in Deutschland, die in einer diversen, gleichberechtigten und innovativen Film- und Medienbranche arbeiten möchten und bereit sind, sich für Veränderung einzusetzen.

Pro Quote Film ist aus der Bewegung Pro Quote Regie entstanden. Der Zusammenschluss der Regisseurinnen hat sich in nur 3 Jahren zu einer wichtigen Stimme in der Filmbranche entwickelt. 
Pro Quote Regie hat einen gesellschaftlich relevanten Veränderungsprozess angestoßen, der jetzt von Pro Quote Film fortgeführt wird.

Was uns - bei allen Unterschieden - verbindet, ist ein gemeinsames Ziel: Geschlechtergerechtigkeit in der Film- und Medienbranche!
Der Ausschluss der kreativ schaffenden Frauen aus der Film- und Fernsehbranche ist nicht länger hinzunehmen.

Und nicht zuletzt die #metto Debatte zeigt: unausgewogene Gechlechterverhältnisse vor und hinter der Kamera vergiften die Branche und befördern den Missbrauch von Macht.

Pro Quote Film nimmt Sender, Förderer und Filmhochschulen in die Verantwortung, den Anteil der weiblichen Filmschaffenden auf 50 Prozent zu erhöhen.

<strong>„Mehr Frauen vor und hinter der Kamera, damit Geschichten, Sichtweisen und der kulturelle Output von Frauen sichtbar werden!“</strong>]]></description>
                <author><![CDATA[Pro Quote Film e. V. <info@proquote-film.de>]]></author>
                <pubDate>Tue, 01 Dec 2020 15:33:45 +0100</pubDate>
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                <title><![CDATA[WIFTG – Women in Film & Television Germany e. V.]]></title>
                <link>https://beyond-eve.com/en/organisations/wiftg-women-in-film-television-germany-e-v</link>
                <description><![CDATA[WIFT Germany vernetzt Medienfrauen und bietet ein Forum für kontinuierlichen Austausch, kollegiale Unterstützung und professionelle Zusammenarbeit. WIFT Germany ist mit anderen internationalen und nationalen film- und medienpolitischen Verbänden vernetzt und selbst Teil des globalen Netzwerkes WIFT International mit mehr als 13.000 Frauen in 40 Ländern.

GLEICHSTELLUNG
WIFT Germany setzt sich für die Gleichstellung und die gleiche Bezahlung von Frauen und Männern in allen Bereichen der Medienbranche ein: in den Redaktionen und Produktionsfirmen, bei der Filmförderung und am Set – vor und hinter der Kamera. WIFT Germany setzt sich für die Darstellung differenzierter Rollenbilder von Männern und Frauen in Film und Fernsehen ein.

BRANCHENEVENTS
WIFT Germany organisiert regelmäßige Branchentreffen, Weiterbildungen und Screenings in Berlin, Hamburg, Hannover, Köln, München und Stuttgart und veranstaltet Events zur Berlinale, dem Internationalen Frauenfilmfest Dortmund | Köln, dem Filmfest Hamburg und dem Münchner Filmfest.]]></description>
                <author><![CDATA[WIFTG – Women in Film & Television Germany e. V. <info@wiftg.de>]]></author>
                <pubDate>Tue, 01 Dec 2020 15:33:41 +0100</pubDate>
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                <title><![CDATA[The Normative Order of the Internet: A Theory of Rule and Regulation Online]]></title>
                <link>https://beyond-eve.com/en/events/the-normative-order-of-the-internet-a-theory-of-rule-and-regulation-online</link>
                <description><![CDATA[<p>There is order on the internet, but how has this order emerged and what challenges will threaten and shape its future? This study shows how a legitimate order of norms has emerged online, through both national and international legal systems. It establishes the emergence of a normative order of the internet, an order which explains and justifies processes of online rule and regulation. This order integrates norms at three different levels (regional, national, international), of two types (privately and publicly authored), and of different character (from ius cogens to technical standards). Matthias C. Kettemann assesses their internal coherence, their consonance with other order norms and their consistency with the order's finality. The normative order of the internet is based on and produces a liquefied system characterized by self-learning normativity. In light of the importance of the socio-communicative online space, this is a book for anyone interested in understanding the contemporary development of the internet. <strong>Dr. Matthias C. Kettemann</strong>, LL.M. (Harvard), Leibniz Institute for Media Research | Hans-Bredow-Insitut Hamburg, Forschungsverbund "Normative Ordnungen" der Goethe-Universität Um Anmeldung wird gebeten. Die Veranstaltung wird virtuell über GoToMeeting stattfinden. </p><p><br></p><p>Die Einwahldaten werden nach der Anmeldung übermittelt. Oxford University Press 2020 Veranstalter: Forschungsverbund "Normative Ordnungen" der Goethe-Universität Frankfurt am Main, Leibniz-Institut für Medienforschung | Hans-Bredow-Institut, Sustainable Computing Lab, WU Wien, Humboldt-Institut für Internet und Gesellschaft (HIIG) und Oxford University Press</p>]]></description>
                <author><![CDATA[Normative Orders <office@normativeorders.net>]]></author>
                <pubDate>Sat, 05 Dec 2020 21:43:34 +0100</pubDate>
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                <title><![CDATA[Video streaming: data transmission technology crucial for climate footprint]]></title>
                <link>https://beyond-eve.com/en/technicalarticles/video-streaming-data-transmission-technology-crucial-for-climate-footprint</link>
                <description><![CDATA[<p>HD-quality video streaming produces different levels of greenhouse gas emissions depending on the transmission technology. The CO2 emissions generated by data processing in a data centre are relatively low, at 1.5 grams of CO2 per hour. However, the technology used to transmit data from the data centre to the user determines the climate compatibility of cloud services like video streaming. Greenhouse gas emissions can be reduced considerably, depending on the data transmission technology used. This is shown by initial research findings commissioned by the German Environment Agency. Picture: German Environment Agency (UBA)</p><p>The lowest <a href="https://www.umweltbundesamt.de/service/glossar/c?tag=CO2#alphabar" rel="noopener noreferrer" target="_blank">CO2</a> emissions are produced when HD video is streamed at home over a fibre optic connection, with only two grams of CO2 per hour of video streaming for the data centre and data transmission. A copper cable (VDSL) generates four grams per hour. UMTS data transmission (3G), however, produces 90 grams of CO2 per hour. If the transmission technology used to transmit data is 5G instead, only about five grams of CO2 are emitted per hour. The electricity used by the end device is not factored into this calculation.</p>]]></description>
                <author><![CDATA[Umweltbundesamt <buergerservice@uba.de>]]></author>
                <pubDate>Sat, 12 Dec 2020 19:38:18 +0100</pubDate>
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                <title><![CDATA[SYD MEAD - FUTURE CITIES]]></title>
                <link>https://beyond-eve.com/en/events/syd-mead-future-cities</link>
                <description><![CDATA[<strong>An exclusive look into the creative world of one of the great futurists of our time</strong>

Star Trek: The Motion Picture, Tron, Blade Runner or Aliens, Mission to Mars and Elysium:
for legendary science fiction films Syd Mead created trend-setting and breathtaking worlds. He developed entire cities and mobility concepts with flying cars, autonomous vehicles, space ships. Syd Meads picture worlds are always characterized by functionality and mostly a positive idea of the future. But for the dystopian cult film Blade Runner Syd Mead created the vision of a bold and apocalyptic city in which huge sky-scrapers dominate the skyline. Now, in November 2019, fiction overlaps with the present, for the 1982 film is set in Los Angeles 2019.

A total of 30 originals with a focus on urban spaces, including motifs for Blade Runner, offer an insight into the creative world of the visionary. In a brand new short documentary, Syd Mead talks about his work, inspiration and career.

Exhibition idea / initiator: Markus Penell
Curator: Boris Hars-Tschachotin

Mon- Fri 3 to 7 pm and by appointment]]></description>
                <author><![CDATA[Bundesstiftung Baukultur <mail@bundesstiftung-baukultur.de>]]></author>
                <pubDate>Tue, 01 Dec 2020 15:33:50 +0100</pubDate>
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                <title><![CDATA[Crypto-Politics. Encryption and Democratic Practices in the Digital Era]]></title>
                <link>https://beyond-eve.com/en/events/crypto-politics-encryption-and-democratic-practices-in-the-digital-era</link>
                <description><![CDATA[<p>The volume centres on the debates on digital encryption in Germany and the USA, during the aftermath of Edward Snowden’s leaks, which revolved around the value of privacy and the legitimacy of surveillance practices. Using a discourse analysis of mass media and specialist debates, it shows how these are closely interlinked with technological controversies and how, as a result, contestation emerges not within one public sphere but within multiple expert circles. The book develops the notion of ‘publicness’ in order to grasp the political significance of these controversies, thereby making an innovative contribution to Critical Security Studies by introducing digital encryption as an important site for understanding the broader debates on cyber security and surveillance.</p><p><br></p><p>Mit:<strong> Dr. Linda Monsees</strong> (Autorin, Postdoktorandin am Exzellenzcluster "Die Herausbildung normativer Ordnungen"), <strong>Prof. Peter Burgess</strong> (Professor and Chair of Geopolitics of Risk at the Ecole Normale Supérieure, Paris) und <strong>Prof. Dr. Nicole Deitelhoff</strong> (Direktorin des Leibniz-Instituts Hessische Stiftung Friedens- und Konfliktforschung, Principal Investigator des Exzellenzclusters "Die Herausbildung normativer Ordnungen", Professorin für Internationale Beziehungen und Theorien globaler Ordnungen der Goethe-Universität)</p>]]></description>
                <author><![CDATA[Normative Orders <office@normativeorders.net>]]></author>
                <pubDate>Sat, 05 Dec 2020 22:02:11 +0100</pubDate>
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                <title><![CDATA[Rethinking Responsibility]]></title>
                <link>https://beyond-eve.com/en/events/rethinking-responsibility</link>
                <description><![CDATA[After the publication of Hans Jonas' <strong>Das Prinzip Verantwortung</strong> forty years ago, the principle of responsibility has become a key concept in moral and political debates. Yet the unconditional responsibility for the possibility of the existence of future generations – not only of humans, but also of other living beings – is invariably accompanied by the "heuristics of fear," which presupposes imagining the worst-case scenario and a pronouncedly bleak future. The dystopian principle of responsibility was introduced as a response to Bloch's Das Prinzip Hoffnung, which envisions the possibility of a utopian future for humanity. The proposed project will discuss these two principles and will argue that they are not mutually exclusive, so that, while still preserving the imperative of responsibility, one can maintain a utopian ideal as a regulative idea for moral and political action.

<strong>Dmitri Nikulin</strong> ist Professor für Philosophie an der New School for Social Research in New York. Von August ‒ Oktober 2019 ist er auf Einladung von Professor Rainer Forst und dem Exzellenzcluster »Die Herausbildung normativer Ordnungen« Fellow am Forschungskolleg Humanwissenschaften der Goethe-Universität.

Um Anmeldung bis zum 14. Oktober 2019 wird gebeten]]></description>
                <author><![CDATA[Normative Orders <office@normativeorders.net>]]></author>
                <pubDate>Sat, 05 Dec 2020 23:00:02 +0100</pubDate>
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                <title><![CDATA[Who determines the rules of public discourse on the Internet?]]></title>
                <link>https://beyond-eve.com/en/events/who-determines-the-rules-of-public-discourse-on-the-internet</link>
                <description><![CDATA[What rules structure our online world? How is determinded what works? And how do social actors behave?
 
Today, billions of people exchange not only holiday pictures, but also false reports, hostility and hate comments on the Internet. In this way, they also determine the themes and tone of public discourse. With the Network Enforcement Act (NetzDG), the state has attempted to create rules for the moderation of Internet content. However, since its introduction, the law has met with criticism because it has led platforms to rigid deleted content, thus restricting Internet users' freedom of expression. For their part, social media and platforms try to regulate content with their own community standards and general terms and conditions. So, who and what determines what we actually get to see online?]]></description>
                <author><![CDATA[The Leibniz Institute for Media Research │ Hans-Bredow-Institut (HBI) <info@hans-bredow-institut.de>]]></author>
                <pubDate>Tue, 01 Dec 2020 15:33:21 +0100</pubDate>
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                <title><![CDATA[8th FOKUS Media Web Symposium]]></title>
                <link>https://beyond-eve.com/en/events/8th-fokus-media-web-symposium</link>
                <description><![CDATA[<strong>Deep Media - Personalized Media Services, Content and Information</strong>
The FOKUS Media Web Symposium (MWS) is an annual international conference organized by Fraunhofer FOKUS hosting 200+ participants from all over the world discussing Internet based media delivery to all screens available. In two days MWS covers technical aspects (workshop and tutorials on day one) as well as trends and business related aspects (conference on day two).

During the sessions, coffee breaks in the exhibition area, as well as at the Media Web Night, participants discussed where broadcast and over the top delivery will go and which technologies and business models will be most sustainable. There was consent on the importance of low latency streaming in this context, especially for live distribution. Addressable TV will be the main driver of future television.

Be part of a thrilling international symposium and network with experts of the creative industry. Feel free to contact us to attend as a speaker, exhibitor or sponsor.]]></description>
                <author><![CDATA[Fraunhofer-Gesellschaft - Institute for Open Communication Systems <info@fokus.fraunhofer.de>]]></author>
                <pubDate>Tue, 01 Dec 2020 15:33:22 +0100</pubDate>
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                <title><![CDATA[International Rules for Social Media: Safeguarding Human Rights and Fighting Disinformation]]></title>
                <link>https://beyond-eve.com/en/technicalarticles/international-rules-for-social-media-safeguarding-human-rights-and-fighting-disinformation</link>
                <description><![CDATA[<p>Facebook, Wikipedia, YouTube and Twitter are increasingly becoming a vehicle for the strategic use of information by states (so-called dis/information operations). These platforms, which are conceptually defined as 'social media', provide their users with a wide range of opportunities to obtain information, to network, to form opinions and to communicate. It is clear that these processes need law and regulations. However, it is less obvious why existing procedures for the production of standards have so far been unable to successfully curb hate speech and disinformation.</p><p><br></p><p> In the <a href="https://www.sef-bonn.org/publikationen/global-governance-spotlight.html" rel="noopener noreferrer" target="_blank">Global Governance Spotlight</a> 2|2019, <a href="https://www.leibniz-hbi.de/en/staff/matthias-c-kettemann" rel="noopener noreferrer" target="_blank">Dr. Matthias C. Kettemann</a> examines the successes and deficits of previous norm-building processes and regulatory efforts in the field of social media, particularly at regional and global level. On this basis, five guidelines are named which could help to overcome the shortcomings of previous attempts of regulation.</p><p><br></p><p><strong>Kettemann, Matthias C. (2019): Internationale Regeln für Soziale Medien: Menschenrechte wahren und Desinformation bekämpfen [International Rules for Social Media: Safeguarding Human Rights and Fighting Disinformation]. Global Governance Spotlight 2|2019.</strong></p>]]></description>
                <author><![CDATA[The Leibniz Institute for Media Research │ Hans-Bredow-Institut (HBI) <info@hans-bredow-institut.de>]]></author>
                <pubDate>Sat, 12 Dec 2020 17:35:26 +0100</pubDate>
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                <title><![CDATA[Twitter, the Elite Network]]></title>
                <link>https://beyond-eve.com/en/technicalarticles/twitter-the-elite-network</link>
                <description><![CDATA[<p><a href="https://www.hans-bredow-institut.de/en/staff/sascha-hoelig" rel="noopener noreferrer" target="_blank">Dr. Sascha Hölig</a> examines <a href="https://www.hans-bredow-institut.de/en/publications/eine-meinungsstarke-minderheit-als-stimmungsbarometer" rel="noopener noreferrer" target="_blank">in a study</a> to what extent the athmosphere on Twitter reflects the current athmosphere within society. The conclusion: Twitter fails as a mood barometer. In an interview on WDR 5, he spoke today with Anja Backhaus about the "elite network" and about the risks it holds when it is overrated by journalists and decision-makers.</p><p><br></p><p>That Twitter cannot serve as an image of our society is due to the fact that the actual figures of users in Germany are very small, explains Hölig in the interview. Only one per cent&nbsp;of the population in Germany uses Twitter on a daily basis. And about 90 per cent of them only use it passively. The number of those who actively participate in Twitter discourse and contribute to the mood on Twitter is very small.</p><p>Moreover, according to Höllig's study, active Twitter users have special personality traits. They are more opinionated, extroverted and generally less anxious than the rest of the online community. This does not reflect a representative picture of society as a whole.</p>]]></description>
                <author><![CDATA[The Leibniz Institute for Media Research │ Hans-Bredow-Institut (HBI) <info@hans-bredow-institut.de>]]></author>
                <pubDate>Sat, 12 Dec 2020 21:16:25 +0100</pubDate>
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